As I’ve grown, so has my desire to see, taste, and experience the world. An unquenchable thirst for encountering newness, you could say.
I’ve become a traveling woman.
Not that I often traverse great distances or see far-off places or spend much money to do so. On the contrary, my glorious little life has led me to find ways of traveling right where I am.
I moved to Nashville from New England a little over two years ago. Searching for a new adventure, a new beginning, a new everything. Every day became an adventure of sorts: finding the most convenient grocery store, scavenging around for the cheapest gas, discovering the hidden nooks and crannies Nashville had to offer a wandering New Englander like me. But it’s taken me two years to finally begin diving into this new southern terrain and feel free to deeply enjoy what surrounds me in this still-new corner of the country.
As I’ve sought to drink in all that I can, I find myself “traveling” locally. Driving across town to a new restaurant. Hiking around some of the trails close by. Dreaming of visits to nearby cities.
But what does all this mean? I want to lean into this traveling woman and grow her and let her run wild through my life because I already know I love her deeply. I already know she is fierce and vivacious and imaginative and adventurous. She is already within me and so ready to overflow upon the world with her love of life. She is becoming me and I am becoming her, this traveling woman.
But where did she come from?
Somewhere very deep within.
But how can I let me out, let her explore, let this traveling woman of the best kind of wanderlust manifest herself within my regimented life?
Make each day an adventure.
Make my life an adventure.
On a clear late summer afternoon along North Carolina’s Outer Banks, Sandbar slid off its foundation and washed into the Atlantic Ocean, the footage so dramatic, it went viral on social media and made the national news. The house was now called Dolphin’s Point, but for my friends and me, it would always be Sandbar. I thought about how the owners must have felt watching something they loved drift away from them, as they stood helpless, knowing they would never see it again.
I asked myself, how do I get into these things? How did I find myself in the middle of a desert, with nothing but a gas station for over a hundred miles, in the searing heat toting a backpack that magically gained weight the further I went?
Is it possible to feel the loss of something if you never had it to begin with? I don’t mean desire, because to desire something doesn’t necessarily mean a palpable sense of missing it. I mean, rather, to feel a defined and tangible absence, like that of a phantom limb, but for one never possessed in the first place.
The sun set an hour ago, which means it’s finally below forty degrees Celsius. Normally I embrace the dry heat in Erbil in exchange for the humidity back home in Toronto, but today it leaves my throat dry and hoarse. I shuffle my feet on the dusty tiles outside my house and peer over the metal gate until Emmita’s black SUV pulls up.
I moved to Albuquerque in August. In the middle of, at the end of, during a pandemic that plausibly does not have an end. I got a job here, and in late-stage American capitalism that’s about all it takes to rationalize moving across the country.
When we tell Clarence that I need to drive my car from New York to Los Angeles, the first thing he says is, you can have the time off. She can’t. He is, of course, pointing at S, not knowing we’ve stayed up the night before planning a 12-day, 10-city cross country road trip. We’ve planned this trip down to a T, but what we haven’t factored in is our boss not being on board.
Two years into teaching English in Barcelona I have this feeling of doom. It’s a hollowness in my stomach, a black hole sucking everything in. It's too late to leave but too late to stay. Time grinds to a halt. I no longer understand anything; at the event horizon, the rules no longer apply. We fly back from a short summer vacation in Prague and the plane circles the city, round and round, waiting to land, and I look down and I recognize every landmark, and I see all of my neighborhoods, and can only think, why? Why come back? I don't belong here.
The airplane skims over a monotonously beautiful carpet of lakes, clouds, forest, and fields. The Land of Midnight Sun (well, actually, one out of five possible Lands of Midnight Sun; each Nordic nation with its twenty-four hours of summer daylight technically qualified to claim the title) reveals itself to you in puffs of white, geometries of emerald, bowls of aqua. It’s only a matter of minutes before you land and have to start apologizing.
The road unfolds in front of us, a black ribbon of tarmac glittering in the summer heat. It is one of many roads I have taken. The rearview mirror reflects the same view, a yellow dotted line that connects us to the next destination, and the previous. Were we ever there? Over a hill, the road disappears, and I wonder if we too will disappear as we follow it.
I will not stand aside, hoping that exciting things will come my way or adventure will stumble into my dimly lit corner. I will seek it. Not recklessly, but I will risk. I will dare and throw up my hands at the odds and pray to a God of Great Stories that mine will be great. That mine will be worth retelling to all those who ask after me.
But my stories will not be for others. My adventures are not worn as outward adornments or sources of puffed up pride. Rather, they are expressions of my strength and curiosity. Of an insatiable desire to see and taste and experience more of this great, big, beautiful world.
Don’t you feel it too? The vastness of it all?
It’s just thrilling.
Makes me want to go out and dance and sing and run and jump and swim and kiss and laugh and skip and inhale and exhale and fill up as much space as I dare to take up. I want to make the air around me vibrate with the energy for living that burns molten inside my very bones.
Sizzles out of my hair like lightning in a summer sky.
Flames out of my eyes like a beacon on the dark shore line.
Singes the skin of those who would dare hold me back from the beautiful places for which I ache.
Near or far, I will see them. Strange or familiar, I will love them. Simple or complex, I will tell of them. High or low, I will sing of them. Sweet or bitter, I will kiss them with the lips of one who wishes to give love and linger over a beloved.
So don’t try to tell me traveling is only for those with financial means or the courage to fly in an airplane. Dear friends, travel through every day of your life and sop up the sweet, new experiences with your very being. Let the oil of life seep into your hair and scent your day with the unexpected. Let the ordinary be transformed into the extraordinary by the mere possibility of imagination.
So I will continue to travel. To New England. To the other side of the city. To another country. To distant, foggy trails. To nearer roads of crisp familiarity. I hope that my eyes will continue to seek an inviting freshness in whatever scenery surrounds me. I hope that my feet will never weary of the path, that they may never wear too deep a rut or be too timid in the midst of wilder grounds.
Take me to places of vibrant green and warm brown. To rooms of bitter incense and beds of tough canvas. To sights from mountaintops and the caverns in deep valleys. To the methodical rhythms of life to the brilliantly erratic. Oh traveling woman, help me relish in the beautifully ordinary and embrace the slightly wilder nature between which my life vacillates.
-Paige Wetzel
This product gives you access to all four weeks of the workshop. Purchase one or more drop-in sessions here.
Build a habit in 20 sessions. In this 4 week workshop that meets Mondays through Fridays from 8:00-9:00 AM CST, we will focus on generating new writing—making headway on a current project, reviving an old project that’s been gathering dust, or writing based off of the daily prompts Leigh provides.
The first 45 minutes of class are a gentle, camera-off, silent writing session. The remaining 15 minutes are an opportunity to share excerpts of our work, reflect on progress made, and set intentions for the following day. Then we will read a passage together on the writing life and close each class with a new learning about habit formation. By the end of this course we’ll have a morning writing habit that is each our own to continue and build upon.
This listing is for an individual class. To purchase access for the full 4-week workshop, click here.
Build a habit in 20 sessions. In this 4 week workshop that meets Mondays through Fridays from 8:00-9:00 AM CST, we will focus on generating new writing—making headway on a current project, reviving an old project that’s been gathering dust, or writing based off of the daily prompts Leigh provides.
The first 45 minutes of class is a gentle, camera-off, silent writing session. The remaining 15 minutes are an opportunity to share excerpts of our work, reflect on progress made, and set intentions for the following day. Then we will read a passage together on the writing life and close each class with a new learning about habit formation. By the end of this course we’ll have a morning writing habit that is each our own to continue and build upon.
Many writers feel drawn to write about their lives but struggle with uncertainty: Why this story? Why now? And who is it really for? This workshop is designed to help writers move beyond doubt and toward clarity by focusing on the deeper meaning and purpose beneath their story.
In this interactive, craft-forward session, participants will be introduced to the Memoir Compass, a practical framework that helps writers articulate their motivation (why they are writing), mission (who the story serves), and message (what meaning or insight the story carries). Through guided reflection and writing exercises, participants will begin shaping a personal narrative rooted in intention rather than overwhelm.
This workshop is ideal for writers interested in memoir or personal narrative, as well as fiction writers drawing from lived experience, who want to move forward with greater confidence, focus, and direction.
Some of the most compelling creative nonfiction begins with the feelings we are tempted to avoid: anger, resentment, shame, fear, or the sense that we have an axe to grind. In this six-week workshop, writers will explore how to follow that emotional heat toward deeper, more honest work—without sacrificing compassion, complexity, or craft. Through close readings, writing exercises, discussion, and constructive feedback, we’ll consider how to transform strong feelings into writing that reaches beyond catharsis and connects with readers.
IT’S NO SECRET THAT FEEDBACK IS AN IMPORTANT PART OF THE WRITING PROCESS.
In fact, we argue that it might be the most important part of the process.
But it’s hard to find a writing community. It’s hard to find the people who are willing to take the time and the effort to read your work and give the feedback you really, truly deserves.
That’s where HerStry Critique Groups come in!
HerStry Critique Groups are small groups of 6 women who gather online for 6 weeks to share their writing, give constructive feedback and gain skills as writers.
Weekly online sessions last approximately ninety minutes, with three women sharing their work each week. Writers of all genres and levels are welcome and you may share both works of fiction and nonfiction.
Sessions take place on Mondays 7PM CT, Tuesdays 11AM CT, Fridays 11AM CT
WHAT’S INCLUDED IN THE HERSTRY CRITIQUE GROUPS?
Six 90 minute live workshop sessions
Three 20 minutes sessions in the “hot seat” to get you work critiqued
Written and verbal feedback from your fellow workshop participants
A weekly in depth edit and critique of your work from the group leader after each session
Weekly writing goals and accountability check ins
Full video recordings of each session to keep for your records
Say goodbye to the lonely, stuck in your head writing life!
LET’S WRITE!
From conception to submission. Let’s make summer sizzle with stories.
Writing a short story doesn’t happen in one session. It takes multiple drafts to get it exactly right, to create characters that come to life for the reader and a world they can’t stop thinking about. In this seven week course we will work on a single short story from conception to submission ready. The seven week session will include generative brainstorming sessions, short story craft talks, multiple workshops for feedback from fellow writers, and detailed line by line feedback and edits from your instructor. Plus, we’ll talk about submission venues, cover letters, and when to know if your story is ‘finished.’
IT’S NO SECRET THAT FEEDBACK IS AN IMPORTANT PART OF THE WRITING PROCESS.
In fact, we argue that it might be the most important part of the process.
But it’s hard to find a writing community. It’s hard to find the people who are willing to take the time and the effort to read your work and give the feedback you really, truly deserves.
That’s where HerStry Critique Groups come in!
HerStry Critique Groups are small groups of 6 women who gather online for 6 weeks to share their writing, give constructive feedback and gain skills as writers.
Weekly online sessions last approximately ninety minutes, with three women sharing their work each week. Writers of all genres and levels are welcome and you may share both works of fiction and nonfiction.
Sessions take place on Mondays 7PM CT, Tuesdays 11AM CT, Fridays 11AM CT
WHAT’S INCLUDED IN THE HERSTRY CRITIQUE GROUPS?
Six 90 minute live workshop sessions
Three 20 minutes sessions in the “hot seat” to get you work critiqued
Written and verbal feedback from your fellow workshop participants
A weekly in depth edit and critique of your work from the group leader after each session
Weekly writing goals and accountability check ins
Full video recordings of each session to keep for your records
Say goodbye to the lonely, stuck in your head writing life!
October 7, 14, 21, 28, November 4 and 18 CT
There is no class on November 11.
WRITING THE SEX SCENE.
Writing a sex scene can be delirious fun, a harrowing challenge, a literary milestone—possibly the most important part of building your short story or book. In our six weeks together, you’ll experience just about every possible emotion as you explore the erotic in different modes: comic, tender, harrowing, soul-shattering … because it really is all about the characters’ feelings, not just the mechanics. So we’ll talk about tone. Vocabulary. Metaphor. Sensory detail. How to get big emotions on the page … and when to pull back and let the reader’s imagination go to work.
This is a course for writers who want to explore the intersection between the novel and short stories, and would like to weave their short stories into a story cycle (or collection of "linked stories" or "composite novel"). This is also a class about the interaction of form and content, and how one influences the other. We will read works of interlinked stories by writers from diverse cultural and ethnic backgrounds, focusing on modern classics and contemporary practitioners of these hybrid forms. Weekly discussions will center on elements of craft, such as the expansion and compression of time, setting as an organizing and connecting principle, character development within and between stories, structure and plot for interconnected stories, and responding to literary influences in the same genre.
This six-week course guides writers through the literary submission process, offering insider insight and practical tools to help you get your work into the world. We’ll demystify everything from reading submission calls to writing cover letters and choosing the right journals. Along the way, we’ll workshop short bios, develop submission trackers, and build personalized plans that align with your voice and goals.
By the end of the course, you’ll walk away with a polished piece ready to send, a tailored submission list, and the confidence to navigate the lit mag world with clarity and purpose.
Ideal for writers of literary fiction, poetry, personal essay, memoir, and hybrid forms.
When Weezie came to pick me up for our road trip to the mountains, six months after her husband Emmanuel was diagnosed, she looked excited. But it felt forced, like a child who no longer believes in Santa but pretends to believe so they may feel the old tingle of anticipation. What I saw was grief.