I came home to wisps of white paper blowing through the screened-in porch like feathers in a chicken coop. Rosie, the rescue puppy, was sitting on haunches with head bowed and tail wagging sheepishly, white exclamation points in the black spots of her scruffy fur. The trail of paper led from the porch, through the dog door, to the living room floor, to the black leather cover of my grandmother’s Bible, her name in gold on the lower corner.

I didn’t know better. That’s what I tell myself, anyway.

I was seven and fascinated by my friend Kasey. She was a redhead, and she’d just gotten a perm. I thought she was the prettiest thing I’d ever seen. I told no one. I figured we were simply special friends. I didn’t know better.

The sidewalks in West Philadelphia are notoriously uneven. Cracks splinter across a cement landscape of protruding roots and gnarled knots, a battleground of nature’s rebellion against the cages built by mankind. Litter adorns small patches of grass like jewelry, reflecting the sun’s rays as it pierces through thin layers of clouds.

Praying during the first grief-soaked month following my father’s death felt rote to me. Awkward. I had taken on the obligation of saying the Mourner’s Kaddish every day for at least a month before realizing I had forgotten how to pray. A professor in college who gave me a C on a paper about James Joyce’s Ulysses said I was like a blind woman trying to describe a painting in front of her. That’s how it felt saying the Kaddish.

The last time I went to the church of my childhood, I wore my collar—my hot, plastic, clerical collar. I felt obvious and tender in it, like a burgeoning zit, like everyone would stare. And yet, I wanted them to stare, I wanted them to look at me and be amazed.

The coconut palm in the field behind my house worships the wind. Its feather duster head sweeps low, bows to the earth like a holy roller in ecstasy, and then snaps back skyward—defiant—in an elastic, resurrecting leap that blasts the law of gravity.