I have learned not to get burned.

The year that I turn sixteen, which is a very long year, I often work the opening shift at McDonald’s. Other than babysitting, this is my first job, and I take it quite seriously. Twenty hours a week; more in the summer. I have no license, so my mother drives me, both of us heavy with the want of sleep.

“How fat do I look in this shirt?” my mother asked me, grimacing as she stared at herself in the department store’s tri-fold mirror. All three versions of her fussed in unison with the shirt’s delicate buttons.

By the time I was in the sixth grade, this was not an unusual question. “Mother,” I started, my voice lingering on the last syllable, dragging the er into a nasal whine. “You look fine.” 

I couldn’t make myself heard for fifty years. Not even the boy could hear me, the boy I lived inside. My vocal anatomy worked fine—larynx, mouth, lungs beneath my breasts—I just didn’t have the words. Nobody did, not in the sixties. I had to resort to signals. Most of them he missed.

I didn’t respond to a failed early attempt at motherhood in the way people, and society, expected me to.

I was supposed to be tense, anxious, resistant, sad. Like the way a Chihuahua looks. But I detected, early on in that first unsuccessful year attempting to reproduce, that I was in the process of becoming someone, and not the someone that I had first set out to be, but someone else entirely, someone I couldn’t have fathomed, the someone, the me, that was just on the other side of what I thought I knew.

My dear friend is a crone. Not an ugly, withered woman. No, she entered cronehood with ample wisdom, dignity, and poise. She entered cronehood with a croning, a sacred, near metaphysical ritual where a small group of women honor the crone and her journey. “But it’s also very much about sharing your knowledge and wisdom with other women,” the invite read. 

When my daughter was born, I was worried that I wouldn’t be the one she would call out for in the middle of the night.

Josh brings her warm, tear-soaked body into our king-sized bed – all 29 pounds of my two- and-a-half-year-old. The bed is already fully occupied. Me, Josh and my almost four-year-old son, Miles, sprawled out as if he was attempting to make snow angels in his sleep. But I still welcome Lyla with outstretched arms.

“Mum..ah..” The sound rises from his mouth like a bubble, lifting into the air and popping gently at my ears. He’s grinning up at me with one of those gorgeous, full-face bursts that shows off his four newly erupted pearls.

I spotted you leaning against a pillar under the Washington Square arch, in men’s clothes, and with a bigger frame. You were stocky, and your face seemed wider. You’d gained weight, and your straight blond hair was dyed blue and cut short, like a Marine.

I was next to my father in the back of a police cruiser as the resentment towards my mother grew. I was six months pregnant and when I realized that the door locked from the outside, echoes of my doctor’s voice flooded me. You have to remain calm when you’re pregnant, eat well, play music for your baby to hear in the womb. They internalize your emotions in utero and can be traumatized before they are even born. I tried to breathe as I looked ahead through the grates that divided me from the backs of the policemen’s balding heads and put a hand on my hard misshapen stomach as I rolled my window down the two inches that it allowed.

Even with a surgical cap and a mask, Mike’s smile still escaped from beyond the barriers of blue polypropylene. He held up the fuzzy hospital socks I was helpless to put on. Without a word, he covered my swollen feet.

It’s been a long time since I have been a good mother. It is 7:25 am and my son is laying in front of the pantry, his face pressed into the crumbs, dust, and dog hair of the kitchen floor. His six-year-old body long and thin, splayed in a scissor-like pose, his hair, tangled blond snarls. He is banging one leg theatrically against the floor, telling me or the floorboards that he wants the granola with no nuts.

The first time I sat in the waiting room, I faced a wall full of Christmas cards and birth announcements.

The second time I sat in the waiting room, Chris sat next to me, reading a book I bought him, which exclaimed in bold letters on the front, “We’re pregnant!” I held a clipboard and grilled him about his family’s medical history. When the doctor turned the monitor screen to face us, Chris couldn’t help but move closer, wanting to get as good a look at our little gummy bear as possible. But he didn’t let go of my hand, and for the first time he was pulled between me and our child.

(Sometimes I forget).

I have a body. I remind myself stretching, the pops releasing my back before climbing into bed. I roll my wrists, tiny muscles spent from crocheting. We’re working on our relationship, my body and me. I’m working to listen better; my body, in turn, agrees to shout less. I’m trying to forgive the things it will not do, the question mark of grief that whispers, “I can’t.”

For twelve years, I was an elementary school teacher in the Los Angeles Unified School District.

One hundred eighty school days each year.

Five years teaching kindergarten.

Six years teaching fourth grade.

One year teaching fifth grade.

The simple definition of teacher is one who teaches. But the reality of what it means to be a teacher is so much more.

The head of the Communications Department, Janine, fixes her big eyes on me and says, “I want you to think about whether you are really sick, or just tired.”

All “business professionals” crawl under their desks to cry, their bank account overdrawn (again), munching candy that coworkers slide beneath the plywood desktop. We all decorate our cubicle walls with drawings by our children, photos of our families, and potted plants that we fail to water, then revive, then fail again. All of us place small plastic goats to the left of our desktops that scream when we push down on them—wild, ugly, depraved screams that fill the room, saying “I’m okay. See? I’m fine.” Screams that ease laughs from workers drowning in hyper-focus, drowning in code, drowning in editing edits.

“Hey Ref! You’re making calls out of your aaass!” the father of a nine-year-old kid in a game I was officiating yelled at me at the top of his lungs, adding a two-handed, open-palm slam against the glass for emphasis.

Handing off the puck to my officiating partner, I skated to my designated position, which happened to be a spot on the ice fairly close to where that parent stood, still pressed against the glass. Slowly, deliberately, I leaned forward with my hands on my knees, focusing on the impending puck-drop—and giving that parent a good look at the region from which my calls were coming.

I donned an orange safety vest and sparkling new hard hat fresh from its cellophane wrapper and trudged up the wide, steep incline under a blazing California sky. My gait was off-kilter, too much weight in the front of my steel-toed boots. The Sony camera slung across my body hit my back every step I took, like a stranger trying to get my attention. I shoved my small notebook and pen into my jeans back pocket and swung the camera around, securing it with my right hand. Up and up the bridge deck I climbed, all the way to the end, halfway across the San Francisco Bay.

I tug at the sleeves of my sweater as I rock back and forth on the hospital floor. A girl around my age tucks a strand of her turquoise hair behind her ear and sits in the chair beside me, her knees up under her chin.

In the pre-dawn silence, before the sun wrests the veils of frost from our windows, I hear someone running down the hall—small, naked feet sprinting toward my bed. I’m only half awake, half expectant, but when I feel the mattress dip under the pressure of new weight and a warm body pressed against my back, I know it’s my son and I know he’s had another bad dream. Maybe it’s Captain Hook again or Shredder, the knife-toting villain from the Ninja Turtles.