They’re at every intersection in Nashville. The people selling their papers. Sometimes I catch myself thinking, “They don’t look like they’d be homeless. Wonder what their story is.” And then I remember.
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I have a tattoo on my neck that reads D I V I N A.
It is the feminine term for divine, in Spanish. You see, I have chosen to affirm my greatness through my body, and I consider this tattoo a proclamation to myself and an affirmation to my female ancestors. I love this tattoo because it is an indicator for outsiders to know who they are dealing with, when they approach me.
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I don’t remember how old I was. Eight or nine possibly. Some details didn’t stick in this guilty memory. But I remember the restaurant. It was a cheap pizza chain. I remember the smell of heat-lamp pizza and wilted pink salad with ranch. I remember the pleasure of seeing greasy wadded up paper napkins on empty beige plates next to half-drunk red plastic cups. Empty plates meant full tummies. And of course I remember distinctly the stained industrial carpet under the tables and chairs where I crouched and hid in mortification.
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I cannot tell you how I first came up with the idea for HerStory without first telling you about a place called Thistle Farms. Thistle Farms is a social enterprisese and nonprofit located in Nashville, Tennessee, and during the last year of my graduate program at Vanderbilt Divinity School I was their full time intern. The company makes natural body products, healing oils, and a few household goods. But that is not what is special about Thistle Farms. Thistle Farms is special because women who have survived trafficking, addiction, and life on the street make the products. These women come to Thistle Farms in search of recovery and a new life. They are given two years of free counseling, housing, and treatment, while also being given the chance to earn a living wage and learn the skills that they need to become free and independent women. It is from these women that the idea for HerStory was born.
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