
Memoirs in Fragments
Memoirs in Fragments
Since the publication of Dionne Brand’s A Map to the Door of No Return in 2001, there has been a steady proliferation of memoirs that use the fragment as its main literary unit. These include The Chronology of Water by Lidia Yuknavitch (2011), The White Book by Han Kang (2017), In the Dream House (2019) by Carmen Maria Machado, and Long Live the Tribe of Fatherless Girls by T Kira Madden (2019). Many of these nontraditional memoirs explore issues such as displacement and diaspora, gender and sexuality, grief and the body. Perhaps, the fragment as a form affords imaginative inquiry into these issues in ways that linear narrative cannot.