The Haircut
They’re in a black plastic box, bottom drawer, right side of the IKEA dresser. When I open the case I discover the tiny bottle of oil meant to keep the blade from rusting has spilled. It takes a few minutes to wipe all the different attachments clean, but that gives me time to contemplate. Am I sure? Do I really want to do this?
I step into the bathroom, plug the clipper into the socket by the sink and attach the number five guard. My finger presses the button, the machine begins to vibrate and I feel a familiar surge of weighted power. When I hold the cold metal to my right temple my brain is tickled by the deep industrial hum. I comb the blade through my hair and strands of dyed auburn drop to the floor. I continue to drag the clipper across my scalp and monitor progress in the mirror. As more of me begins to break through it feels as if I’m watching a moth emerge from its cocoon.
I have done this before. Many times, in fact. The reasons are complex. They weave themselves together like the intricate French braids my friends wove for one another when I was young. I wish I had the strength to untie the ribbon that binds my intentions together. I can tell you that sometimes I shave my hair because I’ve fallen into a deep and sudden despair. Sometimes I shave my hair to mark a transition. The end of one story and the beginning of another. Sometimes I shave my hair because I’m bored. No matter the logic behind my actions the urge rises up in me and the more I try to push it back down the more difficult the urge is to resist.
Dear Ezra,
I know we’ve never met…
And yet my hungry mind keeps feeding me
slow-burning images of you in your kitchen.
December 22nd
One day after winter solstice
Five hours, forty-four minutes and twenty-seven seconds of daylight
Sunrise: 10:13 a.m.
Sunset: 3:41 p.m.
LOVE
noun | \ lev : an intense feeling of deep affection; a great interest and pleasure in something.
LUST
noun | \ lest : very strong sexual desire.
One dreary winter day, nearly two years into dating, he ended things rather oddly: “I don’t think you’ll be okay if we break up,” he explained, “which is why we have to break up.” Though confounding, I suppose it was not surprising—he often resented how much I seemed to need him.
A mass of white caps on a disheveled sea crisscrosses the horizon, the aftermath of a hurricane that skidded up the western face of Baja from Cabo past Punta Hughes. The storm made a westerly turn on its northern trajectory, just far enough off the coast to send a small amount of rain and mountainous surf to our small pueblo. Wave after wave, a tight fetch. a disorganized army of marching swell lines with little space between them, and out the far points, close-out walls of water.
Midlife doesn’t announce itself with milestones — it arrives in contrasts. One moment, you’re lighting candles for a graduation. The next, you’re watching your mother shrink into a hospital gown.
With the first true pass of the clipper, the one we can call the point of no return, I feel defiant. The buzz of the blade across my scalp is like a rebel’s call to freedom. I have a giddy commitment to the process and cannot stop. I’m tempted to switch the five guard for the four but I won’t go too short. I’ll go just short enough. Short enough to neutralize. Short enough to strip away any pretense of femininity. Short enough to be plain on the outside but pretty on the inside. That’s what mom always said to comfort me, “It’s all right. You’re pretty on the inside.”
I try to convince myself that my choice of hairstyle tells the world I mean business. That I don’t have time to worry about my looks. But that’s not true. I have no regrets but the initial sense of defiance never lasts. I know from experience that within an hour I’ll be drawing in eyebrows long lost to menopause. Adding a pair of silver hoop earrings. Putting a swish of coral pink on my cheeks. I’ll attempt to be less plain and more pretty. I’ll acknowledge that there isn’t a sweatshirt baggy enough or jeans loose enough to hide the fact that I inherited my mother’s curves.
The last strand falls. There’s always a bit of trimming to do around my ears with scissors. Once done I brush the hair from my body and step into the shower to wash myself clean. Stripping my head of hair is washing myself clean. Delivering myself from sin.
My mother loved her curves and used them to her advantage. She had a monumental rack to the day she died and swore it was sleeping in a Playtex bra every night that kept her bosom so impressive. Her breasts were like Sirens to men. Dangerous and alluring. She didn’t leave the house without them cantilevered to attention and a slash of Revlon’s Really Red across her lips.
I watched men cycle through, I listened from behind closed doors to the fighting and was thrown against a wall more than once myself. I was born from sin.
-Mimm Patterson
This product gives you access to all four weeks of the workshop. Purchase one or more drop-in sessions here.
Build a habit in 20 sessions. In this 4 week workshop that meets Mondays through Fridays from 8:00-9:00 AM CST, we will focus on generating new writing—making headway on a current project, reviving an old project that’s been gathering dust, or writing based off of the daily prompts Leigh provides.
The first 45 minutes of class are a gentle, camera-off, silent writing session. The remaining 15 minutes are an opportunity to share excerpts of our work, reflect on progress made, and set intentions for the following day. Then we will read a passage together on the writing life and close each class with a new learning about habit formation. By the end of this course we’ll have a morning writing habit that is each our own to continue and build upon.
This listing is for an individual class. To purchase access for the full 4-week workshop, click here.
Build a habit in 20 sessions. In this 4 week workshop that meets Mondays through Fridays from 8:00-9:00 AM CST, we will focus on generating new writing—making headway on a current project, reviving an old project that’s been gathering dust, or writing based off of the daily prompts Leigh provides.
The first 45 minutes of class is a gentle, camera-off, silent writing session. The remaining 15 minutes are an opportunity to share excerpts of our work, reflect on progress made, and set intentions for the following day. Then we will read a passage together on the writing life and close each class with a new learning about habit formation. By the end of this course we’ll have a morning writing habit that is each our own to continue and build upon.
Many writers feel drawn to write about their lives but struggle with uncertainty: Why this story? Why now? And who is it really for? This workshop is designed to help writers move beyond doubt and toward clarity by focusing on the deeper meaning and purpose beneath their story.
In this interactive, craft-forward session, participants will be introduced to the Memoir Compass, a practical framework that helps writers articulate their motivation (why they are writing), mission (who the story serves), and message (what meaning or insight the story carries). Through guided reflection and writing exercises, participants will begin shaping a personal narrative rooted in intention rather than overwhelm.
This workshop is ideal for writers interested in memoir or personal narrative, as well as fiction writers drawing from lived experience, who want to move forward with greater confidence, focus, and direction.
Some of the most compelling creative nonfiction begins with the feelings we are tempted to avoid: anger, resentment, shame, fear, or the sense that we have an axe to grind. In this six-week workshop, writers will explore how to follow that emotional heat toward deeper, more honest work—without sacrificing compassion, complexity, or craft. Through close readings, writing exercises, discussion, and constructive feedback, we’ll consider how to transform strong feelings into writing that reaches beyond catharsis and connects with readers.
IT’S NO SECRET THAT FEEDBACK IS AN IMPORTANT PART OF THE WRITING PROCESS.
In fact, we argue that it might be the most important part of the process.
But it’s hard to find a writing community. It’s hard to find the people who are willing to take the time and the effort to read your work and give the feedback you really, truly deserves.
That’s where HerStry Critique Groups come in!
HerStry Critique Groups are small groups of 6 women who gather online for 6 weeks to share their writing, give constructive feedback and gain skills as writers.
Weekly online sessions last approximately ninety minutes, with three women sharing their work each week. Writers of all genres and levels are welcome and you may share both works of fiction and nonfiction.
Sessions take place on Mondays 7PM CT, Tuesdays 11AM CT, Fridays 11AM CT
WHAT’S INCLUDED IN THE HERSTRY CRITIQUE GROUPS?
Six 90 minute live workshop sessions
Three 20 minutes sessions in the “hot seat” to get you work critiqued
Written and verbal feedback from your fellow workshop participants
A weekly in depth edit and critique of your work from the group leader after each session
Weekly writing goals and accountability check ins
Full video recordings of each session to keep for your records
Say goodbye to the lonely, stuck in your head writing life!
LET’S WRITE!
From conception to submission. Let’s make summer sizzle with stories.
Writing a short story doesn’t happen in one session. It takes multiple drafts to get it exactly right, to create characters that come to life for the reader and a world they can’t stop thinking about. In this seven week course we will work on a single short story from conception to submission ready. The seven week session will include generative brainstorming sessions, short story craft talks, multiple workshops for feedback from fellow writers, and detailed line by line feedback and edits from your instructor. Plus, we’ll talk about submission venues, cover letters, and when to know if your story is ‘finished.’
IT’S NO SECRET THAT FEEDBACK IS AN IMPORTANT PART OF THE WRITING PROCESS.
In fact, we argue that it might be the most important part of the process.
But it’s hard to find a writing community. It’s hard to find the people who are willing to take the time and the effort to read your work and give the feedback you really, truly deserves.
That’s where HerStry Critique Groups come in!
HerStry Critique Groups are small groups of 6 women who gather online for 6 weeks to share their writing, give constructive feedback and gain skills as writers.
Weekly online sessions last approximately ninety minutes, with three women sharing their work each week. Writers of all genres and levels are welcome and you may share both works of fiction and nonfiction.
Sessions take place on Mondays 7PM CT, Tuesdays 11AM CT, Fridays 11AM CT
WHAT’S INCLUDED IN THE HERSTRY CRITIQUE GROUPS?
Six 90 minute live workshop sessions
Three 20 minutes sessions in the “hot seat” to get you work critiqued
Written and verbal feedback from your fellow workshop participants
A weekly in depth edit and critique of your work from the group leader after each session
Weekly writing goals and accountability check ins
Full video recordings of each session to keep for your records
Say goodbye to the lonely, stuck in your head writing life!
October 7, 14, 21, 28, November 4 and 18 CT
There is no class on November 11.
WRITING THE SEX SCENE.
Writing a sex scene can be delirious fun, a harrowing challenge, a literary milestone—possibly the most important part of building your short story or book. In our six weeks together, you’ll experience just about every possible emotion as you explore the erotic in different modes: comic, tender, harrowing, soul-shattering … because it really is all about the characters’ feelings, not just the mechanics. So we’ll talk about tone. Vocabulary. Metaphor. Sensory detail. How to get big emotions on the page … and when to pull back and let the reader’s imagination go to work.
This is a course for writers who want to explore the intersection between the novel and short stories, and would like to weave their short stories into a story cycle (or collection of "linked stories" or "composite novel"). This is also a class about the interaction of form and content, and how one influences the other. We will read works of interlinked stories by writers from diverse cultural and ethnic backgrounds, focusing on modern classics and contemporary practitioners of these hybrid forms. Weekly discussions will center on elements of craft, such as the expansion and compression of time, setting as an organizing and connecting principle, character development within and between stories, structure and plot for interconnected stories, and responding to literary influences in the same genre.
This six-week course guides writers through the literary submission process, offering insider insight and practical tools to help you get your work into the world. We’ll demystify everything from reading submission calls to writing cover letters and choosing the right journals. Along the way, we’ll workshop short bios, develop submission trackers, and build personalized plans that align with your voice and goals.
By the end of the course, you’ll walk away with a polished piece ready to send, a tailored submission list, and the confidence to navigate the lit mag world with clarity and purpose.
Ideal for writers of literary fiction, poetry, personal essay, memoir, and hybrid forms.
Mimm Patterson is a yoga therapist and transformational coach specializing in chronic pain and trauma. She lives in the San Francisco Bay Area with her partner Ben and seventeen-year-old cat Bruce.