It is 10:34 p.m. I am journaling about the difference between what I eat and how I taste it.

In other words, it’s not about the chocolate cake. It’s about the pool of saliva swirling through each bite. It’s about the tongue pressing crumb into ganache, the esophagus readying itself to carry each sweet offering down. It is about my body knowing it is safe. Safe to sit, to enjoy, to receive.

Life in a small mountain town means it’s not unusual to be recognized. But to hear my name when dressed up in an ostentatious ruby dress and black fishnet stockings, a magenta-and-bubblegum-pink-boa draped across my back and over my elbows, a cerise silk ribbon tied around my throat and vermilion lipstick—to look nothing like myself, yet stand out in kodachromatic vividity whilst hearing my name was abnormal.

Sometimes I wonder why lovers hold hands when they walk around. I wonder how long they have been dating. Are they in that new stage, where it feels like they have to hold on tight, constantly let the other person know that they are there, that they aren’t going anywhere, that they want to touch them, that they want to be touched. Or is it the older couples, the ones who have been together for longer that hold hands. A gesture they don’t even realize they’re doing, their fingers just mindlessly reaching for each other, keeping their connection as they pace around the city.

“Shorter,” I said. “Take it all.”

January seemed a fitting moment for fresh starts. It wasn't born from some halfhearted resolution or unfounded faith in the promise of a new year. It wasn't shoved in with a promise to swear off chocolate or set the alarm an hour early every Monday through Friday.

I’ve done a lot of writerly things for money: reporting, editing, and teaching. I managed to write and teach until I had kids, but parenting was the kiss of doom for balance in my life. Something had to go, and since my spouse was on board, I quit teaching. What little extra time I had, I spent writing. It didn’t pay, but it satisfied a creative need, and it didn’t require a wardrobe. Or parking.

I sat in Taylor’s chair in the high-ceilinged hair salon on Madison Avenue, watching all the wealthy Upper East Siders, as they rested their five-figure handbags on velvet stools like beloved pets. My newfound sense of mortality had no place in this land of excess. This was the room T.S. Eliot must have been referring to when he spoke about the “women [who] come and go/ Talking of Michelangelo.”

Jake offers me a beer before challenging, “Think you can keep up?”

“I can drink you under the table,” I answer.

“Drink for drink then.”

We click our bottles and the game begins. I know I will lose. He’s six feet tall, lean and muscular, while I’m closer to five foot two. He easily weighs two hundred pounds which compliments his height and athletic build. My body is somewhere in the one hundred and ten mark. There is no way I’ll win. But that isn’t the point, is it?

I am topless in the women’s beach bathroom, laundering the salt stained armpits of my only t-shirt with hand dispenser soap. I have not yet been sized up as a threat or harassed by a mob of concerned mothers. Perhaps my exposed tits are evidence I am in fact, female?

“Can you please repeat what I just said?” Debbie asked. Her usual, wry smile I recognized so well said, “Why do you even try to fool me? I know you so well.”

“Oh…what…No, I am okay, I got you. I actually heard you,” I replied.

“No, you didn’t, and I know it. I absolutely do not mind repeating myself for the fourth time, Abha. And, if you really got me, why don’t you repeat what I just said? Repeat it,” Debbie said.

Whether I’m writing fiction or nonfiction, every piece begins the same: with a haunting. It grows as any respectable haunting should, first with creaking footsteps in the other room, the sense something is watching, until there’s a full-blown apparition standing beside the bed whispering, “You need to write this down.”

Dear Breasts,

It’s been almost two years since I saw you. My last memory of us is you hidden underneath a checkered teal hospital gown that flapped against my naked bottom. I couldn’t look at you. I pictured the doctors cutting you off and resting you on a silver platter next to the operating table. Two jello molds, each with a cherry on the top. The whole thing felt surreal.

By my eighteenth birthday, I was convinced my entire personality was a mistake. My hobbies were hipster and obnoxious, tied to the fine arts and human culture. My goals were lofty and idealistic, invoking a life of novelty and meaning. I hated that I cared for these things despite their presumed futility in our modern (read: capitalist) world. The trendy albeit psychologically debunked Myers-Briggs Type Indicator had assigned me a personality with one of the lowest average incomes, followed by fun phrases like “most likely to have trouble in school,” and to me, this was the surest confirmation of my worthlessness.

Weak Point

“Are you sure there’s nothing else you’re worried about?”

Secrets are like poison. Until you tell someone, they will kill you from the inside out. The worst secrets are the kind you keep from yourself—held at bay for so long until the dam finally breaks. For a week, I tell my mom that I’m having stomach problems, and it isn’t entirely a lie.

Taking the stage as a drag queen is ultimately what influenced me to dominate in the dungeon. Transformation, among many other facets, is what connects the two. However, I can positively say that I do not change as a person when I embody either archetype; I simply reveal parts of myself that are not always accessible.

Last month, I spent an evening partying with a colleague — it ended with me crying to him at my apartment and telling him about every single traumatic experience I’ve had in my life. I have known him for four months only and I work on time-sensitive productions with him every single day at the office.